Kid In The Attic is Maia Macdonald looping everything she has. New Jersey woods in the summer, tapes under the floorboards. Drums in the basement and nights on the front porch. A nest of mice in the typewriter case, through the upstairs window into the crawl space.
Maia is also in the band Mitten, plays bass with Mal Blum & The Top Sheets, and drums/guitar with Mount Sharp.
supported by 25 fans who also own “Do You Remember the Morning”
No one can accuse Stratton of terseness; his vivid lyricism (WYLYHD, ATTOTS) evokes reminiscence and substance (RF), even at times unto the "afterlight." Frenetic arpeggios (esp. on the baroque 'IFWLE') are moderated by subdued pieces like TRF. There are standout moments on P-E which benefit from collaborators, but the high-point is the 7+ minutes of the orchestral 'YD' that ascends with the aid of slow building viola, cello, violin and erupts to a Jimmy Page inspired, bliss of overdrive. hailhumanists
A vibrant vision of "Central Americana" from the Costa Rica-based artist, blending heartland devotionals with playful Tropicália grooves. Bandcamp New & Notable Apr 27, 2022
supported by 11 fans who also own “Do You Remember the Morning”
It may not be a full-fledged LP, but All Delighted People is probably my favourite of Sufjan's works. Without an overaching album theme to tie the songs together, it felt like Sufjan was free to experiment on each track and give them their own unique sound. And because of that (and Sufjan's talent), every track on there is a standout track. Angkasawan